I craft every mug with close attention to detail, taking time with each step so nothing feels rushed or forced. Working with the wheel is one of the few processes that gives me a quiet space where I can fully express my perfectionist nature which is not very dominant in my natural flow of life.
When I sit at the wheel, my intention is always balance — to stay present and sensitive to even the smallest touch as the wheel turns at a steady rhythm. Being aware of every subtle movement is the most demanding part of wheel throwing, yet it is also the most rewarding. It keeps me fully engaged, almost like a dialogue between my hands and the clay.
I must refrain from forming mugs that are intentionally quirky until I truly understand the language of a balanced form. Only then do I allow myself to shift or deform it, while still holding onto its inner stability, a Mug may seem like a simple object but every little detail makes or breaks one.
As a product designer, I believe form should always follow function. Objects we use every day should feel comfortable and gentle in use.
A mug is one of the few objects we hold many times throughout the day, often without really noticing. Because of this, it should feel gentle and natural in the hand, settling into the grip with ease. It should support the wrist in a quiet, relaxed way, without creating any tension or awkward strain. The weight should feel just right — balanced, neither too heavy nor too light — so it can be lifted and held comfortably. Over time, even small discomforts can add up. That is why a well-made mug should feel effortless, soft in use, and kind to the hand in every moment it is held.
Through practice and patience, I am working towards developing the sensitivity needed to create light, even-walled pottery — pieces shaped with care, control, and quiet attention.
